It’s tough to be a band that finds immediate success with their debut album. When you storm out of the gate with the bar raised so high, often times most bands aren’t able to live up to it on the next release. Tame Impala had the best chance of letting me down this year, because their debut album, Innerspeaker, was one of my favorite albums of 2010. I can’t believe I’m saying this, but the band’s follow-up, Lonerism, is even better. It’s an album that is much more concerned with revealing its emotional core compared to its predecessor, which results in stronger songwriting and melodies.
The process of this album began immediately after their debut was released in 2010. Songwriting ensued while touring that LP, and as a result this album has been recorded in several different spots around the world; such as Austria, France, and the band’s native land, Australia. This type of recording process is perfect for the mastermind of Tame Impala, Kevin Parker. He once again does nearly EVERYTHING on this album – all instrumentation, vocals, and songwriting, bar two songs that are co-written with live drummer Jay Watson – and as a result gives him a lot more freedom to do what he wants, whenever he wants.
The first song released from the album was “Apocalypse Dreams”, a whirlwind of psychedelia that goes through 3 different stages that are all mesmerizing. It begins with a foot stomping drumbeat, accompanied by very rhythmic piano and a solid bass groove. Kevin Parker surprises on this song as he often sings in a register higher than he ever has before. A midpoint mellow breakdown leads to an eventual eruption of synth in the songs finale. The song itself is about the chaos of life and trying to make sense of it all. “Am I getting closer? / Will I ever get there? / Does it even matter?” It’s simply a fantastic song that is both similar to the debut but at the same time goes in completely different directions that make it fresh. Would this be what fans could expect to hear more of on the album? Oh yes.
Lonerism is a practice in sonic chaos, back-lit with sincere yet carefree lyrics that gives the album a “well, the crap’s hitting the fan but I’m not gonna get too wrapped up in it” vibe. It opens with “Be Above It”, a stunning song that has perhaps the best instrumentation that Kevin Parker has released yet. It begins with a looped whispered vocal saying “Gotta be above it”, which is then followed by drums that mimic the looped vocals. These drums quickly become distorted and fuzzy and are followed by very psychedelic synth. The most amazing thing about this song is how Kevin Parker is using all of these different instruments to form a sort of wigged-out orchestra. The drums distort into a ball of tension that is released and shot out in a wave of huge synth that has what I can only describe as a slingshot effect. Quite simply; it’s breathtaking.
These effects are continued on many other songs on the album, but there are lighter moments that are presented more clearly as a sort of respite from the madness. The LP’s 4th song, “Mind Mischief” has very clear and vibrant guitar riffs and drumming, accompanied by spacey but joyful vocals that are extremely catchy. The lead single from the album, “Elephant”, is a similarly straight-forward song, which has a heavy and bluesy riff that is quite different compared to anything else on the album. Kevin Parker says that this is one of his oldest songs that just never got recorded, so the difference in sound is expected. However, he gives it a fittingly spaced-out midsection that keeps it from being out of place on this album.
The biggest surprise on the album – which is also one of the highlights – is the closer, “Sun’s Coming Up”. It is a piano driven song that is reminiscent of a nursery rhyme, but the music is completely offset by heart-wrenching songwriting about possibly losing someone forever. It’s the most emotional song on the album – I’d say the most emotional song Parker has ever done – and it’s a phenomenal way to close this colossal hurricane of an album.
Kevin Parker is more concerned with making an album as a cohesive whole rather than a pack of songs unrelated to each other. The album flows perfectly, but that’s not to say that the structure is at the expense of creativity or surprises from individual tracks, which I think Parker felt partially restricted by on the first album. He was concerned with the template for the first album; making sure that everything was in the same box. This time around he’s drifting away from that box, and the places that he’s ending up in are very rewarding. There are a lot of different ideas on Lonerism that all blend together not to form a jumbled mess, but an album of incredible ambition and scope that is near-perfect in all facets of its execution.
Release Date: October 5, 2012
Genres: Psychedelic Rock, Alternative Rock, Neo-psychedelia